Visualizing the Frequencies of Science vs. Music

Here’s a pretty brilliant execution at merging the audio to the visuals because in this instance the music was actually created after the film was made. Although, you’d never know really because the two really work so seamlessly together.

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This Guy Uses the Beach as His Canvas

Andre Amador | Playa Painting

San Francisco, CA

Ever been one of the lucky ones to view these beachscapes in person? Andre Amador creates these patterned designs in sand, on the beach, during low tide, using a good ol’ rake and a piece of rope. The challenge is how temporary the medium is – he’s got a couple hours until the tide comes in and washes it away, so there’s no time to lose.

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::: Typography You Can Interact With :::

Meet the artist, Alida Rosie Sayer

Not only is this designer experimenting across the gamut with creating a very tactile approach to typography, but she has carefully cut out each of the numerous layers to also enhance the overall experience of interacting with her artwork. This is so you can touch it, watch it move, distort, undulate, manipulate – right before your eyes. It really is quite genius how well this whole series turned out.

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In the spirit of Halloween, check out these insanely carved punkins!

Who does these incredibly detailed carvings?

What I wonder as I look at these incredible carvings is how long does it take Ray Villafane to make one of these sculptures? How long does he have before the pumpkins start decaying and turning brown? Every picture I have seen is at the end stage or the during phase, and there is absolutely no brown spots or soft spots! And yet, according to a recent article, one sculpture averages out to take around eight hours to create. (That’s an average!) So some could take more than that time, and yet how does he beat the clock?

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