These Crochet Playgrounds Are All the Rage in Sapporo, Japan

Toshiko Horiuchi-MacAdam is the artist behind these genius playgrounds, located at the open air Hakone Open-Air Museum in Sapporo Japan. What’s so fascinating about these crocheted playgrounds is that the idea came as a ‘happy accident.’

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::: Typography You Can Interact With :::

Meet the artist, Alida Rosie Sayer

Not only is this designer experimenting across the gamut with creating a very tactile approach to typography, but she has carefully cut out each of the numerous layers to also enhance the overall experience of interacting with her artwork. This is so you can touch it, watch it move, distort, undulate, manipulate – right before your eyes. It really is quite genius how well this whole series turned out.

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In the spirit of Halloween, check out these insanely carved punkins!

Who does these incredibly detailed carvings?

What I wonder as I look at these incredible carvings is how long does it take Ray Villafane to make one of these sculptures? How long does he have before the pumpkins start decaying and turning brown? Every picture I have seen is at the end stage or the during phase, and there is absolutely no brown spots or soft spots! And yet, according to a recent article, one sculpture averages out to take around eight hours to create. (That’s an average!) So some could take more than that time, and yet how does he beat the clock?

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::: This Guerilla Artist Leaves a Swarming Trail of Blue Behind Her :::

Tasha Lewis is a talented guerilla artist or street artist who’s spent the last month working on her most recent project, “The Butterfly Swarm.” Basically, she’s been traveling the country to install hundreds of ephemeral butterflies onto metal objects in public urban spaces. Her work has been spotted throughout various cities of her home state of Indiana, as well as Chicago and throughout cities of  Pennsylvania. Continue reading

This Graffiti Artist Creates His Work in 3D ::: Meet Shaka

SHAKA is a visual artist who incorporates a unique 3D in his work. It uses a process that allows him to sculpt directly onto the canvas. His theatrical scenes beyond the literal space of the work to create a bridge to the place where we are. The characters challenge us by their behavior often exacerbated. Faces are fragmented, ribbed, made of abstract shapes or figurative tending to complicate or to codify their behavior, giving the impression that they wear a mask. This show is a static call the meeting to deal with nonsense reflection of our way of being in everyday life.

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Showcasing Each Letterform in 3D ::: Architypo ::: The Final Alphabet

Johnson Banks is the firm that took on this request from a suggestion made from their client, Ravensbourne. The request was to see if they’d take their 3D prototyping skills to the next level and create a 3D expression of the current alphabet. Each letterform is showcased in a different expression of itself – repeated, stacked, rotated, scaled, skewed, while still maintaining parts of its recognizable shape. Not only that, but each font or typeface they used – whether they chose to use the lowercase or uppercase letterform – each detail in these 3D constructions was carefully considered and reflected in the description as well. This is Arkitypo: The Final Alphabet.

Take for instance the letter “H” for a moment…

The Letter H | Helvetica

Helvetica
Originally designed in 1957 as Neue Haas Grotesk, its 1960 version was renamed Helvetica. Given that its name was based on ‘Helvetia’ (Latin for Switzerland) it was no surprise that it became the vanguard of the Swiss style, and the typeface of choice for corporations across the world for the last fifty years.

Now, having read that – look again at their approach. They incorporated the letterform that’s made up of all of these recognized names who use “Helvetica” as their chosen typeface for branding the company. (Nestle, Blaupunkt, Basf, Target, Kawasaki and more…)

Let’s look at the letter “C” now…

The Letter C | Courier

Courier
Courier was originally commissioned for 1950s IBM typewriters, but soon became the standard font throughout the then-emerging industry. As a nod to the torturous days of jammed machinery, this ‘C’ is built from a small forest of typewriter keys.

This being a little more literal in its translation is still quite clever in its expression. The execution of these typewriter keys, overlapping, stacked, rotated… they create interesting angles and shadows upon one another. They mimic the true shape of the letter, while tying back to the history of the font. Impressive interpretation!

Here’s what they created for the letter “I”

The Letter I | Industria

Industria
Originally designed for The Face in 1984 by Neville Brody, Industria was released publically as a font in 1989. It has a mechanical structure of straight strokes, rounded corners and square inner spaces that refer back to Art Deco and design pioneers such as Ladislav Sutnar.

This could be a sculpture I’d feature in my living room! To take a letter, observe its rigid form  and then create a piece that not only adds movement… this piece also ties back to its Art Deco movement with this ultra thin case used in this industrial interpretation.

The result can be seen in this video – which shows 360 degree renders of each letter sculpture.

Street Art Series #1 ::: Legos ::: Dispatch Work

Street Art Series #1 ::: Legos ::: Dispatch Work

With dispatchers in almost 25 places worldwide, these street artists have come together and showcased their installations unifying all of these varied locations in one united place – the inter-webs. Whether you’re viewing the work from Tel Aviv or from New York, Amsterdam or Barcelona… the work is the same and consistent everywhere. The Dispatch Workers manage to fill the gaps of older structures – or do their “patch work” so-to-speak – with nothing but stacking LEGOS!!! Alternating different colored legos to create these really eye-catchy patterns. Something so simple – yet ever so clever and brilliant! You take a familiar toy from childhood – and an incredibly recognized brand at that – and use these plastic stacking, primary colored blocks as a way to finish off the structural inadequacies. In short, they literally fill in the gaps and replace the holes where cement or concrete once filled – like I said – it’s just ingenious! Let’s review this again… they take plastic structural-building toy blocks to replace the holes from a “durable” material such as concrete or cement – just so much ironic hilarity in this concept, I f’n love it!!!

On a side note, I’ll be going to Italy on my honeymoon in a couple months, and I will make a point to seek out these installations, if they happen to still be there. Who knows… maybe I’ll get lucky and find them.

Also, stay tuned as I will be posting more to contribute to showcasing these street artists. They are free thinkers, go against the grain and they are anything but the status quo. We need more of those in this world – before the corporate culture and our governments stamp it out. Oh, and to end on a lighter note… I really like their work, how it’s executed and just how much fun it represents!  For now, if you’d like to check out more artwork, check out this site in the meantime.